
The Ten Bells is right on the corner of Commercial and Fashion streets, and the first thing I said when I saw it was "It looks like the power is out." And it did. It was completely black inside and out, the darkest building on the street--like the light was unnaturally snuffed out right at the corner, leaving The Bells alone and shadowed.
The interior has remained largely unchanged since the 1800s. The inside is made of wood, wood everywhere. It creaks under you, and the walls are tiled. On the far north wall there's this awesome mural/painting thing called "Spitalfields in the Olden Time."

After my last swags of Bombardier, I decided to try what my English pal Harry was drinking: John Smith's "bitter." It succeeded in taking the taste of Bombardier out of my mouth with its more active punch and fruity taste, but other than that it wasn't that eventful. It was "ok," but nothing more.

One last thing to note about The Ten Bells--and the Spitalfields area in general--is the crowd. I described it to my English pals as reminding me of Berkeley: words like indie/sweaters/rock/punk, all of those things fit. The young fashion-aware group, nice and not very rowdy.
A trip downstairs to the loo solidified this vibe, as it looked like the bathroom at Gilman St., in Berkeley itself.
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